I climbed up toward my “favorite” spot the other evening. (At Trevor and Rhonda’s the other evening she had crackers and cheese out, and I said that was just about one of my favorite things. “Let’s see,” said Rhonda. “I know biscuits and gravy is too…” “I would have thought Nutella was your favorite,” said Penny. I decided I have lots of favorite things.) Pretty much anywhere I can see large amounts of sky and not a lot blocking it is a favorite spot, and this was on the hill overlooking the Roman Theater, so I could see the roofs of the city center across the noise of the river in the fading light.
The theater is having a Shakespeare festival going on, like every summer, and people were starting to arrive. I found a seat on a wall with some other people who had the same idea, where we could look down into the theater from behind. I watched the people hurrying in, some pulling off motorcycle helmets as walked to the entrance. There were bikes chained up to the railing along the river.
Once the show started I couldn’t really hear, so I decided I’d rather be at home reading, and walked out, down the street, past three Japanese boys singing in acapella harmony while the Japanese girls walked laughing behind, past a pizza delivery boy pushing his pizza delivery motorcycle down the piece of street that had been closed, past a dog that nuzzled me and the motorcycle cop enforcing the street being closed, or at least scolding the man still riding his motorcycle from the other direction and telling him not to next time.
A couple of evenings later I went to a “molologo,” not knowing what it was but knowing that it included someone playing the piano and was free. The entrance was through the “courtyard of Juliet,” closed to the public, which was pressing up against the gates asking the girl standing there when it would open again. She told them tomorrow morning, but opened the gate for me when I told her I wanted to go to the show. We happy few were shown into a building opposite, to a dimly lit area back or offstage—I could barely see into a richly-adorned theater through the screen we were watching. And there was a Steinway grand, on which an excellent pianist played Richard Strauss’s op. 38, interchanging with the long-ponytailed, deep-voiced, double-breasted suit man reading “Alfred Tennison’s” Enoch Arden—in Italian prose, which left not much to know that it was Tennyson. The plot was all that was left, and it was very Romantically tragic, but I was a little disappointed, because I don't think of plots when I think of Tennyson. For once I thought Italian lacking in melody. But I had always wondered a little about that style of musicandstory that pre-dated movies, so it was interesting to get a taste of it, and understand the feeling from the music.
Now Troy and Penny are here, and it’s been fun taking them around town and seeing things from a new perspective—especially the pointing-out of things to children who’ve always lived in Mound City, Kansas. “Look, Noah, it’s a Ferrari,” “Look at the lady giving bread to the pigeon,” “Look at the dog going for a ride on the motorcycle.” They’re noticing things too—Rowen sat in her stroller, struck with the sound of the bells striking nine. “Did you hear that?” she whispered to me.
Noah gave me a Fruit Loop from his plastic cup of bounty, and the colors seemed to shine back in the pattern of houses and flowers and that man’s argyle sweater in the jewel tones one notices on days of partly-cloudy clearness when the light breaking through picks out colors with flashes of reality.
The old people here smile at them wherever they go. One lady laughed aloud watching Noah trying to find a way around a piece of wet sidewalk. The woman at the post office who helped us with their permessi oohed over them. “They’re so blond!” So far, though, no one has succeeded in getting them to say “ciao.”
The lady at the post office started out a little huffy (we’d done some things wrong) but eventually became chatty, wanting to know about where in the U.S. we were from, and why Penny’s last name was the same as Troy’s (“So women just lose their name entirely when they get married?”). We talked about differences (us having middle names on documents, but not using them generally—sometimes they have second names, but never on documents, which means that if our middle names are on our passports we have to sign everything that way here, since that’s our name). Troy thanked her when we finished, and she said, “Welcome,” then asked me if that was right, “because you don’t have ‘prego,’ right?” “Yes, it’s ‘You’re welcome,” I said, but she couldn’t every quite get it.
Troy and Penny wanted to get an estimate on how much it will cost to paint their new apartment, so we went to a store that sells paint, and asked if they could give us a general idea of how much painters charge or paint costs. “How much does it cost to go to the moon?” the old man asked me. “How much does a dress cost? You can’t ask these questions! You must be foreigners! No Italian would ever ask such a thing!” I tried to be polite, and the politer I was the more he kept yelling, so I eventually just left, wondering if all customers get this service or only foreign ones, and if so, how he makes enough to keep going. But I’m not a businessman.